Running Rabbit Lapin Courant Statue by Francois Pompon

This Running Rabbit Lapin Courant statue by Francois Pompon extends the collection of museum replicas manufactured by Parastone Museum Collection. It makes a lovely pendent pair to Pompon's most famous statue of a Polar Bear. It is made from resin with bronze finish, and a metal stand Measures: 6.3"H x 9.1"W x 2.25"D. FRANCOIS POMPON (1855-1933), French sculptor, student of Rodin and famous for his stylized animal figures. Receiving encouragement from Rodin, he produced some stunning works such as the Polar Bear shown at the 1922 Salon d'Automne. By the age of 67, he had become famous and produced many other masterpieces during the last ten years of his career.

ABOUT THE ARTIST: Pompon was born in Saulieu in French Burgundy as the son of a carpenter. At his fifteenth he takes service with a stonemason in Dijon where he learns the principles of sculpting and attends evening classes at l 'Ecole des Beaux Arts.
Five years later he goes to Paris where he also works for a stonemason in Montparnasse during the daytime and attends evening classes at l 'Ecole Nationale des Arts Decoratif. Later he contributes to new decorations for the Hotel de Ville which had been set on fire in the time of the Commune. During his education he meets Pierre-Louis Rouillard, a sculptor of animal figures who possibly became a source of inspiration for the work which would make him famous later on.
In 1882 he marries Berthe Valain, who, like his mother, worked as a couturier. He tries to build his own oeuvre and although his first major sculpture Cosette draws the attention of the salon-jury; an independent sculpting career seems far away. He ends up taking service with Rodin where he becomes head of his studio three years later.
From 1896 he starts doing a lot of work for Renee de Saint-Mareaux a famous sculptor of the time. Pompom does this until Mareaux's death in 1916.
He also continues searching for his own style, in which his preference for sculpting outdoors plays a big part. For this purpose, he develops an ingenious mobile sculpting-unit. His membership of the Bande a Schnegg, a group of sculptors involved with Rodin's studio is of great influence too. Collectively they search for new stylized shapes, based on the monumental serenity of classical sculpture. In addition, Pompom starts to focus more and more on animal figures, but his work remains unappreciated and so he goes through a bad patch.
It is not until 1919 that his work starts attracting more interest. He sells a stone sculpture of a turtledove to Musee de Luxembourg and two years later three plaster animal figures to Musee de Grenoble. Not until he is 67 years old does he get his final breakthrough with the exhibition of l 'Ours Blanc in plaster at the Salon des Artistes Franais. Successful exhibitions follow in Tokyo and Osaka and the ice bear, which had become famous by then, is produced in marble. The museum of Saint-Omer buys several of his pieces and in 1929 the ice bear finds a permanent place in Musee de Luxembourg.
Upon his death, Pompom left nearly 300 pieces to the French state which were eventually displayed at the Musee des Beaux Arts in Dijon. The Musee d'Orsay in Paris has a large collection of plaster models.

Product Information:

• Size: 9.1"W x 2.25"D x 6.3"H
• Weight: 2.1 lbs
• Material: Resin
• Made In: China

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Museum Reproductions Information:

History of Art Reproductions: As far as we know, the history of art reproductions takes us back to Imperial Rome where bronze and marble reproductions of Greek masterpieces served as decoration for lavish Roman Villas and Gardens. The art of casting is thousands of years old: Terracotta’s, Bronzes and ancient glass were cast from molds. Closer to our time in the mid 18th century coinciding with the search for new artistic styles which took inspiration from the roots of classic art (neoclassicism) and the discovery of Herculaneum in 1738 and Pompeii in 1748, archaeological reproductions reappeared all over Europe. As a result of French expeditions to Egypt during the nineteenth century, a casting facility was set up next to the Louvre Museum where many important archaeological pieces from ancient Egypt were reproduced. Following the example of the Louvre, other leading European museums began to reproduce some of the masterpieces in their collections thus initiating a trend that continues until today.

Art Reproduction Craftsmanship: For the making of art reproductions, masterpieces have been chosen from the best museums all over the world, The Louvre, The British Museum, The National Museum of Athens, The Egyptian Museum Cairo, The New York Metropolitan Museum of Art. We only use materials and techniques that can achieve the best quality in reproducing original works of art to obtain very fine pieces, up to the last detail. Our sculptures are cast in a variety of mediums: Bonded Stone, Polyresins, and Bronze. The finish of each reproduction, is always hand-made and showing craftsmanship and historical sense, is the work of an artisan. It is the task to present to the people of today the legacy of those ancient civilizations with all the beauty and mystery of our ancestors again in front of our eyes and at the reach of our hands. There is several steps that must be taken before a museum reproduction sculpture can be made. Most of our items are original artworks created by our sculptors, carved out of clay, stone, or wood. Once the original is carved, a mold is made, usually out of silicon. Crushed stone in a liquid resin medium is poured into a silicon mold where it solidifies into a hard stone that reproduces all the detail and texture of the original. All the finishes are done by hand. Many finishes include color detailing, a labor intensive process where colors are applied with small brushes by our skilled artisans.