The Wassail Statue (1900) by Mackintosh
The Wassail Sculpture (1900) by Mackintosh. Charles Rennie Mackintosh is a Scottish Art Nouveau artist from the late 19th to early 20th century as part of " The Four ". His works include historical interiors, drawings, and architecture. They emphasize a syncretistic blend of Celtic and Japanese art. Together with his wife Margaret, Mackintosh designed two large plastered panels to decorate the famous Ingram Street Tea Rooms in Glasgow. It was an assignment from the light-hearted businesswoman Kate Cranson, whose Glasgow Tea Rooms became world famous for their advanced architecture and interior design. The title "The Wassail" refers to a banquet traditionally held at Halloween following the end of the harvest seas. The panels from which this statue adaptation of The Wassail illustrates a repeated patter of two women with ornamental dress. The panels were exhibited at the Eighth Exhibition of the Vienna Secession between 3 November and 27 December 1900. Original artwork is made from oil painted gesso on hessian and scrim, set with twine, glass beads, thread, mother-of-pearl, and tin leaf. Original panels owned by Glasgow Museums. Statue reproduction is part of the highly collectible Parastone Mouseion 3D Collection. Comes with color description card in four languages.
Size: 7.5 in x 4 in x 2 in
Weight: 1.4 lbs
Material: Resin with Hand Painted Color Details
Museum Reproductions Information:
History of Art Reproductions: As far as we know, the history of art reproductions takes us back to Imperial Rome where bronze and marble reproductions of Greek masterpieces served as decoration for lavish Roman Villas and Gardens. The art of casting is thousands of years old: Terracotta’s, Bronzes and ancient glass were cast from molds. Closer to our time in the mid 18th century coinciding with the search for new artistic styles which took inspiration from the roots of classic art (neoclassicism) and the discovery of Herculaneum in 1738 and Pompeii in 1748, archaeological reproductions reappeared all over Europe. As a result of French expeditions to Egypt during the nineteenth century, a casting facility was set up next to the Louvre Museum where many important archaeological pieces from ancient Egypt were reproduced. Following the example of the Louvre, other leading European museums began to reproduce some of the masterpieces in their collections thus initiating a trend that continues until today.
Art Reproduction Craftsmanship: For the making of art reproductions, masterpieces have been chosen from the best museums all over the world, The Louvre, The British Museum, The National Museum of Athens, The Egyptian Museum Cairo, The New York Metropolitan Museum of Art. We only use materials and techniques that can achieve the best quality in reproducing original works of art to obtain very fine pieces, up to the last detail. Our sculptures are cast in a variety of mediums: Bonded Stone, Polyresins, and Bronze. The finish of each reproduction, is always hand-made and showing craftsmanship and historical sense, is the work of an artisan. It is the task to present to the people of today the legacy of those ancient civilizations with all the beauty and mystery of our ancestors again in front of our eyes and at the reach of our hands. There is several steps that must be taken before a museum reproduction sculpture can be made. Most of our items are original artworks created by our sculptors, carved out of clay, stone, or wood. Once the original is carved, a mold is made, usually out of silicon. Crushed stone in a liquid resin medium is poured into a silicon mold where it solidifies into a hard stone that reproduces all the detail and texture of the original. All the finishes are done by hand. Many finishes include color detailing, a labor intensive process where colors are applied with small brushes by our skilled artisans.
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