The Librarian Man Made of Books Statue by Arcimboldo. At the time, this portrait of Wolfgang Lazius, a famous scientist who was attached to the Habsburg court, must have provoked great merriment within those circles. Arcimboldo created a portrait out of stacked books. Wolfgang Lazius' torso is made of books at different angles and his hair by an open book. As far as is known, it is the only portrait by Arcimboldo which is not composed of elements derived from nature. GIUSEPPE ARCIMBOLDO (CA. 1527-1593) initially, like his father, the Renaissance painter Arcimboldo worked as a painter on Milan Cathedral. This changed in 1562 when the Emperor of Hapsburg, Ferdinand I, summoned him to the royal court in Prague. Ferdinand’s successors, Maximillian II and Rudolph II, were also much taken with Arcimboldo’s marvelous talents and so, for nearly all of the rest of his life, he remained in the service of this court, not only as a painter, but also as an architect, a designer of bizarre settings and costumes, and an organizer of major festivities. His work was much appreciated both for its sense of craftsmanship as well as its artistic value, and its eccentric, if sometimes comical aspects, may have made a welcome change to the day-to-day harsh political reality. Arcimboldo owes his present-day fame to his artistic discovery of the composite head. He painted his first version of The Four Seasons, portraits composed of flowers, fruit, twigs and leaves, soon after his arrival in Prague. Size:
6"H x 4"W x 3 1/8"DWeight:
Resin with Hand Painted Color Details
Museum Reproductions Information:
History of Art Reproductions: As far as we know, the history of art reproductions takes us back to Imperial Rome where bronze and marble reproductions of Greek masterpieces served as decoration for lavish Roman Villas and Gardens. The art of casting is thousands of years old: Terracotta’s, Bronzes and ancient glass were cast from molds. Closer to our time in the mid 18th century coinciding with the search for new artistic styles which took inspiration from the roots of classic art (neoclassicism) and the discovery of Herculaneum in 1738 and Pompeii in 1748, archaeological reproductions reappeared all over Europe. As a result of French expeditions to Egypt during the nineteenth century, a casting facility was set up next to the Louvre Museum where many important archaeological pieces from ancient Egypt were reproduced. Following the example of the Louvre, other leading European museums began to reproduce some of the masterpieces in their collections thus initiating a trend that continues until today.
Art Reproduction Craftsmanship: For the making of art reproductions, masterpieces have been chosen from the best museums all over the world, The Louvre, The British Museum, The National Museum of Athens, The Egyptian Museum Cairo, The New York Metropolitan Museum of Art. We only use materials and techniques that can achieve the best quality in reproducing original works of art to obtain very fine pieces, up to the last detail. Our sculptures are cast in a variety of mediums: Bonded Stone, Polyresins, and Bronze. The finish of each reproduction, is always hand-made and showing craftsmanship and historical sense, is the work of an artisan. It is the task to present to the people of today the legacy of those ancient civilizations with all the beauty and mystery of our ancestors again in front of our eyes and at the reach of our hands. There is several steps that must be taken before a museum reproduction sculpture can be made. Most of our items are original artworks created by our sculptors, carved out of clay, stone, or wood. Once the original is carved, a mold is made, usually out of silicon. Crushed stone in a liquid resin medium is poured into a silicon mold where it solidifies into a hard stone that reproduces all the detail and texture of the original. All the finishes are done by hand. Many finishes include color detailing, a labor intensive process where colors are applied with small brushes by our skilled artisans.