Poetry Sculpture (1902) by Gustav Klimt. The Beethoven Frieze was originally intended as an ephemeral work of art and, like the other decorative paintings, it was to be removed after the close of the exhibition. It was only owing to fortunate circumstances, that the frieze was not destroyed as planned: the Secession was to present the following year a major Klimt retrospective (XVIIIth exhibition, 1903), and it was decided to leave the work of art in place.
The tranquil female figure, holding a kithara, is part of the right panel of the allegorical Beethoven frieze which Klimt painted for the Sezession exhibition held in 1902, which was centered round Max Klinger’s sculpture of Beethoven. The painting shows the stages which man, and in particular the artist, has to go through during the quest for great happiness. In the end poetry manages to satisfy this desire. Poetry is symbolized by a figure inspired by paintings on vases from ancient Greece. She plays her Kithara, a sort of lyre given to mankind by the god Apollo, from which the word guitar is derived.
Parastone, a renown European collectible figurine manufacturer, has masterfully brought to life the legendary iconic painting of Poetry from the Beethoven Frieze by Art Nouveau master artist Gustav Klimt, as 3D statue adaptations in the greatest detail.
Gustav Klimt (1862-1918)
was a prominent member of an innovating group of artists called 'Sezession' and is considered to be one of the main pioneers of modern art. Apart from this, his ornamental Jugendstil style evokes an irresistible feeling which is inspired by the 'fin-de-siecle' of 19th century Vienna: elitist, liberal-middle class, decadent, pleasantly-decorative. His work is extremely recognizable due to his monumental style combined with Byzantine-like ornamental art and classical symbolism, created against the background of romanticism which was so characteristic of his time. In Sezession's own words: "Art guides us to an ideal realm, the only place where we will be able to find pure joy, pure happiness and pure love. A choir of angels from paradise. Joy given by divine sparkles. That kiss from the entire world!"Size:
11.5 in x 4 in x 1.75 inWeight:
Resin with Hand Painted Color Details
Museum Reproductions Information:
History of Art Reproductions: As far as we know, the history of art reproductions takes us back to Imperial Rome where bronze and marble reproductions of Greek masterpieces served as decoration for lavish Roman Villas and Gardens. The art of casting is thousands of years old: Terracotta’s, Bronzes and ancient glass were cast from molds. Closer to our time in the mid 18th century coinciding with the search for new artistic styles which took inspiration from the roots of classic art (neoclassicism) and the discovery of Herculaneum in 1738 and Pompeii in 1748, archaeological reproductions reappeared all over Europe. As a result of French expeditions to Egypt during the nineteenth century, a casting facility was set up next to the Louvre Museum where many important archaeological pieces from ancient Egypt were reproduced. Following the example of the Louvre, other leading European museums began to reproduce some of the masterpieces in their collections thus initiating a trend that continues until today.
Art Reproduction Craftsmanship: For the making of art reproductions, masterpieces have been chosen from the best museums all over the world, The Louvre, The British Museum, The National Museum of Athens, The Egyptian Museum Cairo, The New York Metropolitan Museum of Art. We only use materials and techniques that can achieve the best quality in reproducing original works of art to obtain very fine pieces, up to the last detail. Our sculptures are cast in a variety of mediums: Bonded Stone, Polyresins, and Bronze. The finish of each reproduction, is always hand-made and showing craftsmanship and historical sense, is the work of an artisan. It is the task to present to the people of today the legacy of those ancient civilizations with all the beauty and mystery of our ancestors again in front of our eyes and at the reach of our hands. There is several steps that must be taken before a museum reproduction sculpture can be made. Most of our items are original artworks created by our sculptors, carved out of clay, stone, or wood. Once the original is carved, a mold is made, usually out of silicon. Crushed stone in a liquid resin medium is poured into a silicon mold where it solidifies into a hard stone that reproduces all the detail and texture of the original. All the finishes are done by hand. Many finishes include color detailing, a labor intensive process where colors are applied with small brushes by our skilled artisans.