L'attente Sculpture (1882) by Degas. EDGAR DEGAS (1834-1917), Together with Monet the founder of French Impressionism, Edgar Degas was famous for his innovative compositions in his paintings and later in his sculptures. Degas created a tremendous amount of artworks. For an example, just with his ballerina images and sculptures, the surviving artworks total more than 1,500 plus in various stages of development (sketches, prints, monotypes, paintings, drawings and sculptures). For 10 years he sketched the young women training and then reused the sketches for new artworks during the next 40 years. The early rehearsal scenes were done in oil; and in 1878, he started using pastels for his dancers, nudes and horse-track scenes.
For 10 years he sketched the young women training and then reused the sketches for new artworks during the next 40 years. The early rehearsal scenes were done in oil; and in 1878, he started using pastels for his dancers, nudes and horse-track scenes. In his attempt to catch the action of the moment, his ballet dancers and female nudes are in poses that make no attempt to conceal the subjects' physical exertions. Just the same, in this example, the dancer here is in a moment of rest as she waits. Her stage mother sits beside her, aware of her daughter's limited prospects. We are fortunate to have this masterful reproduction of Degas famous oil pastel, L'Attente (Waiting 1882), because it adds a new dimension to our understanding of his artistry.Size:
4 in x 4 in x 3.5 inWeight:
Resin with Hand Painted Color Details
Museum Reproductions Information:
History of Art Reproductions: As far as we know, the history of art reproductions takes us back to Imperial Rome where bronze and marble reproductions of Greek masterpieces served as decoration for lavish Roman Villas and Gardens. The art of casting is thousands of years old: Terracotta’s, Bronzes and ancient glass were cast from molds. Closer to our time in the mid 18th century coinciding with the search for new artistic styles which took inspiration from the roots of classic art (neoclassicism) and the discovery of Herculaneum in 1738 and Pompeii in 1748, archaeological reproductions reappeared all over Europe. As a result of French expeditions to Egypt during the nineteenth century, a casting facility was set up next to the Louvre Museum where many important archaeological pieces from ancient Egypt were reproduced. Following the example of the Louvre, other leading European museums began to reproduce some of the masterpieces in their collections thus initiating a trend that continues until today.
Art Reproduction Craftsmanship: For the making of art reproductions, masterpieces have been chosen from the best museums all over the world, The Louvre, The British Museum, The National Museum of Athens, The Egyptian Museum Cairo, The New York Metropolitan Museum of Art. We only use materials and techniques that can achieve the best quality in reproducing original works of art to obtain very fine pieces, up to the last detail. Our sculptures are cast in a variety of mediums: Bonded Stone, Polyresins, and Bronze. The finish of each reproduction, is always hand-made and showing craftsmanship and historical sense, is the work of an artisan. It is the task to present to the people of today the legacy of those ancient civilizations with all the beauty and mystery of our ancestors again in front of our eyes and at the reach of our hands. There is several steps that must be taken before a museum reproduction sculpture can be made. Most of our items are original artworks created by our sculptors, carved out of clay, stone, or wood. Once the original is carved, a mold is made, usually out of silicon. Crushed stone in a liquid resin medium is poured into a silicon mold where it solidifies into a hard stone that reproduces all the detail and texture of the original. All the finishes are done by hand. Many finishes include color detailing, a labor intensive process where colors are applied with small brushes by our skilled artisans.